Tuesday, December 24, 2019
Supply and Demand Simulation Paper - 886 Words
Supply and Demand Simulation Paper ECO/365 Week 2 Individual Assignment February 25, 2013 Supply and Demand The analysis will identify two microeconomics and two macroeconomics principles or concepts from the simulation, and explain why each principle or concept is in the category of macroeconomics or microeconomics. The analysis will identify at least one shift of the supply curve, and one shift of the demand curve from the simulation and what causes the shifts. The analysis will show for each shift, how it would affect the equilibrium price, quantity, and decision making. It will detail application to learned material about supply and demand from the simulation to workplace or real-world product. It will detail how conceptsâ⬠¦show more contentâ⬠¦The simulation is a model with no right or wrong answers, and has rational expectations of both the person using the simulation and the person reading the analysis of the data from the analysis. This is in the category of macroeconomics because it deals with the ââ¬Å"big pictureâ⬠of the analysisââ¬â¢ expectations. The second macroeconomic concept the simulation deals with is adaptive expectations. The simulation uses information from the simulation, and tries to simulate how GoodLife will encounter different problems basing the information on past events. This is in the category of macroeconomics because it shows a larger picture of the company and how it will adapt its expectations in years to come. The analysis shows a supply curve, ââ¬Å"which is an imaginary line at a point in time telling the quantity a supplier provides at various prices of the productâ⬠according to dictionary (dictionary, 2013). The cause of the supply curve in the simulation is that the rates of the apartment rentals went up, and so did the number of apartments GoodLife was willing to rent. This made the supply curve slope upward, as the goal is to rent out every apartment. The equilibrium price is $1550, and the quantity is 2500 apartments. Recently my family moved into a new apartment complex. The complex was advertising a move-in special of $199 for the first month total move-in costs. This was a good advertisement, and brought in many new tenants to the apartmentShow MoreRelatedSupply and Demand Simulation Paper1130 Words à |à 5 PagesSupply and Demand Simulation Paper Principles of Microeconomics 365 Matthew J. Angner June 1, 2010 University of Phoenix Online Introduction The supply and demand simulation was based on the management of rental apartments by GoodLife Management. The apartments are in a fictitious town called Atlantis. Topics that will be reviewed in this paper include changes in supply and demand, how shifts in supply and demand affects decision-making, key points from the reading assignments thatRead MoreEco365 Supply and Demand Simulation Paper761 Words à |à 4 PagesSupply and Demand Simulation ECO/365 Supply and Demand Simulation In the University of Phoenix simulation (2003), students are taken through the supply and demand of two-bedroom apartments in a city called Atlantis. The simulation itself is used as a tool to learn about the demand and supply curves as well as equilibrium. Other key learning points are the factors that affect supply and demand, the effect that a price ceiling has on the quantity demanded and the quantity supplied. ThroughoutRead MoreAnalyzing Supply of Demand Simulation1042 Words à |à 5 PagesAnalyzing Supply of Demand Simulation ECO/365 January 31, 2010 Analyzing Supply of Demand Simulation Supply and demand is a significant element of business procedures thus this paper will evaluate how supply and demand affects a business via a simulation provided by the University of Phoenix. In this paper, I will talk about the reasons for changes that occur in supply and demand. I will talk about how shifts in supply and demand influence the organizationââ¬â¢s decision making processRead MoreSupply and Demand Simulation983 Words à |à 4 Pagesà ECO365 Supply and Demand Simulation Student Name ECO/365 ââ¬â Principles of Microeconomics Instructor Name Date Introduction Supply and Demand is a phrase that every one hears in one way or another, Supply and demand phrase according to Colander, (2010) is the most used phrase by economist and the reason is because the phrase provides a good ââ¬Å"off-the-cuffâ⬠answer for many question that have to do with economy. Example why are interest rates to Low? Because supply and demand. Why is GasolineRead MoreEco 365 Supply and Demand Simulation Essay855 Words à |à 4 PagesSupply and Demand Simulation ECO/365 November 26, 2012 The purpose of this paper is to discuss the Supply and Demand simulation from the student website. The idea is to identify two microeconomic and two macroeconomic principles present in the simulation and to explain why these principles are categorized as macro or microeconomic. The paper will also determine one shift of the supply curve and one shift of the demand curve from the simulation, as well as why theseRead MoreSupply and Demand Simulation819 Words à |à 4 PagesSupply and Demand Simulation A simulation was conducted to understand supply and demand when renting out apartment homes. This paper will briefly explain two microeconomics and two macroeconomics principles, it will include one shift of the supply curve and demand curve in the simulation. For each of the shifts the affect of the equilibrium price, quantity, and decision making will be analyzed. A description of supply and demand from the simulation and how to apply it in the workplace is includedRead MoreBasic Concepts1315 Words à |à 6 PagesBasic Concepts Paper Charles Lloyd Eco/415 October 19, 2012 George Flemming Basic Concepts Paper Circumstances, which are different, can have a major affect on supply and demand. The simulation in this weekââ¬â¢s assignment deals with the curves of supply and demand and how they are affected by the changing of situations that happens in the city of Atlantis with the two-bedroom apartments. Changes were supposed to be made depending on the findings and results made within the Atlantis communityRead MoreApplying Supply and Demand Concepts1027 Words à |à 5 PagesApplying Supply and Demand Concepts David Hodge ECO 365 April 29, 2013 Robert Watson Applying Supply and Demand Concepts The supply and demand simulation was a very helpful tool in understanding the effects of external factors on the supply and demand curves. Understanding this concept is fundamental in preparing for real life situations. I personally enjoyed the fact that the simulation was based on a real estate management company. I was able to understand and relate to the informationRead MoreSupply and Demand Simulation Essay694 Words à |à 3 PagesSupply and Demand Simulation This weeks simulation is based on GoodLife Management. GoodLife Management is located in the fictitious town of Atlantis, and rents two-bedroom apartments on a month-to-month basis. The simulation provided working examples of several factors that effectively change the supply and demand of GoodLifes rentals over the course of several years. These factors include GoodLifes management direction, population changes within Atlantis and outlying areas, changes in consumersRead MoreAssignment : System Modeling And Simulation1082 Words à |à 5 PagesMMATIVE ASSIGNMENT 1 (S1) System modelling Simulation Background information: To begin with, the simulation named as Beer Game was being founded by Jay Forrester at MIT which illustrates the supply chain run by group based coordination including retailer, wholesaler, distributor and factory (Forio 2001). Moreover, the role of a retailer has been given which means the gamer have to manage the overall inventory for the retail outlets of an American company Samuels Root beer, located in Pittsburgh
Monday, December 16, 2019
Night World Dark Angel Chapter 13 Free Essays
string(32) " they were on familiar streets\." I he next day, Gillian tried to concentrate on normal things. She hurried to school, feeling unrested-had she had nightmares?-and desperately in need of distraction. All day at school, she threw herself into activities, chattering and laughing and keeping people around her, talking about Christmas and parties and finals. We will write a custom essay sample on Night World : Dark Angel Chapter 13 or any similar topic only for you Order Now It worked. Angel was very gentle, keeping quietly in the background. All the other students were hyperactive with the thought of only two more days of school. And by the afternoon Gillian had become caught up in her own frantic good spirits. ââ¬Å"We donââ¬â¢t even have a tree,â⬠she said to David. ââ¬Å"And itââ¬â¢s five days to Christmas Eve. I have to drag my mom out and buy one.â⬠ââ¬Å"Donââ¬â¢t buy one,â⬠David said, smiling at her with his dark eyes. ââ¬Å"Iââ¬â¢ll take you out tonight to a place I know. Itââ¬â¢s beautiful, and the trees are free.â⬠He winked. ââ¬Å"Iââ¬â¢ll bring the station wagon,â⬠Gillian said. ââ¬Å"Lots of room. I like big trees.â⬠At home, she stayed busy, prodding her mother to wrap packages and dust off the plastic Christmas flower arrangements. There was no talk with Angel about how to tell her mother about witches. She was still happy when she picked David up after dinner. He seemed a little subdued, but she wasnââ¬â¢t in the mood to ask questions. Instead, she talked about the party Steffi Lockhart was giving on Friday night. It was a long drive, and she was running out of speculations about Steffiââ¬â¢s party when David finally said, ââ¬Å"Somewhere along here, I think.â⬠ââ¬Å"Okay. Iââ¬â¢ll take one of those.â⬠Gillian pointed at the sixty-look-alike fern trees that lined the road. David smiled. ââ¬Å"There are some smaller ones farther in.â⬠There were so many that Gillian had a hard time choosing. At last, she settled on a balsam fir with a perfect silhouette, like a plump lady holding out her skirts. It was wonderfully aromatic as she and David chopped it down and half dragged, half carried it to the car. ââ¬Å"I just love that smell,â⬠she said. ââ¬Å"And I donââ¬â¢t even care that my gloves are ruined.â⬠David didnââ¬â¢t answer. He was quiet as he tied the back of the station wagon closed around the tree. He was quiet as they got in the car and Gillian began to drive. And Gillian couldnââ¬â¢t stand it anymore. Little waves of acid were lapping in her stomach. ââ¬Å"Whatââ¬â¢s wrong? You havenââ¬â¢t been talking all night.â⬠ââ¬Å"Iââ¬â¢m sorry.â⬠He let out his breath, looking out the window. ââ¬Å"I guess â⬠¦ I was just thinking about Tanya.â⬠Gillian blinked. ââ¬Å"Tanya? Should I be jealous?â⬠He glanced at her. ââ¬Å"No, I mean-her arm.â⬠A strange sort of prickling cascaded over Gillian, and in that moment everything changed forever. She seemed to ask the next question in a huge, quivering stillness. ââ¬Å"What about her arm?â⬠ââ¬Å"You didnââ¬â¢t hear? I thought somebody wouldââ¬â¢ve called you. They took her to the hospital this afternoon.â⬠ââ¬Å"Oh, my God.â⬠ââ¬Å"Yeah, but itââ¬â¢s worse. That thing they thought was a rash was necrotizing something-or-other â⬠¦ you know, that flesh-eating bacteria.â⬠Gillian opened her mouth, but no sound came out. The road in front of her seemed very dim. ââ¬Å"Cory said she canââ¬â¢t have any visitors-her arm swelled up to three times its normal size. They had to cut it open all the way from her shoulder to her finger to drain it. They think she might lose her finger-ââ¬Å" ââ¬Å"Stop it!â⬠A suppressed scream. David looked at her quickly. ââ¬Å"Iââ¬â¢m sorry-ââ¬Å" ââ¬Å"No! Just donââ¬â¢t talk!â⬠Gillianââ¬â¢s automatic reflexes had taken over driving the car. She was hardly aware of anything outside her own body. All her concentration was fixed on the drama inside her own mind. (Angel! Did you hear that? What is going on?) (Of course I heard it.) The voice was slow and thoughtful. (Well, is it true? Is it?) (Look, letââ¬â¢s talk about this later, all right, kid? Letââ¬â¢s wait-) (No! Everything with you is ââ¬Å"Waitâ⬠or ââ¬Å"Weââ¬â¢ll talk about it later.â⬠I want to know right now: is it true?) (Is what true?) (Is Tanya that sick? Is she about to lose her finger?) (Itââ¬â¢s just an infection, Gillian. Streptococcus pyogenes. You were the one who put it there.) (Youââ¬â¢re saying it is true. Itââ¬â¢s true. I did it with my spell. I gave her flesh-eating bacteria.) Gillian threw the thoughts out wildly, disjointedly. She couldnââ¬â¢t really grasp what it all meant yet. (Gillian, we had to stop her from destroying David. It was necessary.) (No! No! You knew I didnââ¬â¢t really want to hurt her. What are you talking about? How can you even say that?) Gillian was in hysteria again, a strange hysteria of the mind. She was vaguely aware that she was still driving, that fences and trees were flying by. Her body was sitting in the car, breathing quickly, speeding, but her real self seemed to be in another place. (You lied to me. You told me she was all right. Why did you do that?) (Calm down, dragonfly-) (Donââ¬â¢t call me that! How can you just-just sit thereâ⬠¦ and not care? What kind of person are you?) And then-Angelââ¬â¢s voice changed. He didnââ¬â¢t get hysterical or agitated; it was much worse. His voice became calmer. More melodious. Pleasant. (Iââ¬â¢m just dispensing justice. Itââ¬â¢s what angels do, you know.) Icy horror swept over Gillian. He sounded insane. ââ¬Å"Oh, God,â⬠she said, and she said it out loud. David looked at her. ââ¬Å"Hey-are you okay?â⬠She scarcely heard him. She was thinking with fevered intensity: (I donââ¬â¢t know what you are, but you are not an angel.) (Gillian, listen to me. We donââ¬â¢t have to fight. I love you-) (Then tell me how to fix Tanya!) Silence. (Iââ¬â¢ll find out myself. Iââ¬â¢ll go back to Melusine-) (No!) (Then tell me! Or heal Tanya yourself if youââ¬â¢re a real angel!) A pause. Then: (Gillian, Iââ¬â¢ve got an idea. A way to make David love you more.) (What are you talking about?) (We need to give him a near-death experience. Then heââ¬â¢ll be able to truly understand you. We need to make him die.) Everything blurred. Gillian knew they were nearing Somerset, they were on familiar streets. You read "Night World : Dark Angel Chapter 13" in category "Essay examples" But for a moment her vision went completely gray and sparkling. ââ¬Å"Gillian!â⬠A hand was on hers, a real hand, steadying the wheel. ââ¬Å"Are you all right? Do you want me to drive?â⬠ââ¬Å"Iââ¬â¢m okay.â⬠Her vision had cleared. She just wanted to get home. She had to get to that shoe box and fix the spell on Tanya somehow. She had to get home â⬠¦ to safetyâ⬠¦ But nowhere was safe. (Donââ¬â¢t you understand?) The voice was soft and insidious in her ear. (David can never really be like you until heââ¬â¢s died the way you have. We have to make him die-) ââ¬Å"No!â⬠She realized she was speaking aloud again. ââ¬Å"Stop talking to me! Go away!â⬠David was staring at her. ââ¬Å"Gillian-ââ¬Å" (I donââ¬â¢t want to hurt you, Gillian. Only him. And heââ¬â¢ll come back, I promise. He might be a little different. But heââ¬â¢ll still love you.) Differentâ⬠¦ Davidââ¬â¢s body. Angel wanted Davidââ¬â¢s body. As David left, Angel would take possessionâ⬠¦. They were almost home. But she couldnââ¬â¢t get away from the voice. How do you get away from something thatââ¬â¢s in your own mind? She couldnââ¬â¢t shut it out. â⬠¦ (Just let go, Gillian. Let me take over. Iââ¬â¢ll drive for you. I love you, Gillian.) ââ¬Å"No!â⬠She was panting, her hands gripping the steering wheel so hard it hurt. The word came out jerkily. ââ¬Å"David! You have to drive. I canââ¬â¢t-ââ¬Å" (Relax, Gillian. You wonââ¬â¢t be harmed. I promise.) And she couldnââ¬â¢t let go of the steering wheel. The voice seemed to be inside her body, diffusing through her muscles. She couldnââ¬â¢t take her foot off the accelerator. ââ¬Å"Gillian, slow down!â⬠David was yelling now. ââ¬Å"Look out!â⬠(It will only take a secondâ⬠¦) Gillianââ¬â¢s world had been switched into an old-time movie. The flickering black-and-white kind. With each frame, the telephone pole in front of her got bigger and bigger. It was happening very slowly, but at the same time with utter inevitability. They were rushing oh-so-slowly toward that pole, and they were going to hit. On the right side of the car, where David was sitting. (No! Iââ¬â¢ll hate you foreverâ⬠¦) She screamed it in her mind and the last word seemed to echo endlessly. There was time for that. And then there was a loud sound and darkness. ââ¬Å"Can I see him?â⬠ââ¬Å"Not yet, honey.â⬠Her mother scooted the plastic chair closer to the emergency room bed. ââ¬Å"Probably not tonight.â⬠ââ¬Å"But I have to.â⬠ââ¬Å"Gillian, heââ¬â¢s unconscious. He wouldnââ¬â¢t even know you were there.â⬠ââ¬Å"But I have to see him.â⬠Gillian felt the hysteria swelling again, and she damped her mouth shut. She didnââ¬â¢t want a shot, which is what the nurses had said they were going to give her when she started screaming earlier. She had been here for hours. Ever since the cars with the flashing lights came and pried the station wagon door open and pulled her out. Theyââ¬â¢d pulled David out, too. But while she had been completely unhurt-ââ¬Å"A mirade! Not even a scratch!â⬠the paramedic had said to her mother-David had been unconscious. And had stayed that way ever since. The emergency room was cold and it didnââ¬â¢t seem to matter how many heated blankets they wrapped around her. Gillian kept shivering. Her hands were blue-white and pinched looking. ââ¬Å"Daddyââ¬â¢s coming home,â⬠her mother said, stroking her arm. ââ¬Å"Heââ¬â¢s taking the first plane he could get. Youââ¬â¢ll see him tomorrow morning.â⬠Gillian shivered. ââ¬Å"Is this the same hospital- where Tanya Jun is? No, donââ¬â¢t ask. I donââ¬â¢t really want to know.â⬠She stuck her hands under her armpits. ââ¬Å"Iââ¬â¢m so coldâ⬠¦Ã¢â¬ And alone. There was no soft voice hi her head. And that was good, because, God, the last thing she wanted was Angel-or rather that thing, whatever it was, that monster that had called itself an angel. But it was strange after so long. To be all aloneâ⬠¦ and not know where he might be lurking. He could be listening to her thoughts right nowâ⬠¦ ââ¬Å"Iââ¬â¢ll get another blanket.â⬠The nurse had shown her mother the heated closet. ââ¬Å"If you could just lie down, honey, maybe youââ¬â¢d feel like sleeping a little.â⬠ââ¬Å"I canââ¬â¢t sleep! I have to go see David.â⬠ââ¬Å"Hon, I already told you. Youââ¬â¢re not going to see him tonight.â⬠ââ¬Å"You said I might not get to see him. You didnââ¬â¢t say I wouldnââ¬â¢t! You only said probably!â⬠Gillianââ¬â¢s voice was rising, getting more shrill, and there was nothing she could do about it. The tears were coming, too, flooding down uncontrollably. She was choking on them. A nurse came hurrying in, the white curtains around the bed swirling. ââ¬Å"Itââ¬â¢s all right; itââ¬â¢s natural,â⬠she said softly to Gillianââ¬â¢s mother. And to Gillian: ââ¬Å"Now, just lean over a little-hold still. A little pinch. This is something to help you relax.â⬠Gillian felt a sting at her hip. A short time later everything got blurry and the tears stopped. She woke up in her own bed. It was morning. Pale sunlight was shining full in the window. Last nightâ⬠¦ oh, yes. She could vaguely remember her mom and Mrs. Beeler, their next-door neighbor, leading her from the hospital to Mrs. Beelerââ¬â¢s car. She remembered them taking her upstairs and undressing her and putting her to bed. After that sheââ¬â¢d had hours of wonderful not-thinking. And now she was awake and rested and her head was clear. She knew exactly what she had to do even before she swung her legs out from under the covers. She glanced at the ancient Snoopy clock on her nightstand and got a shock. Twelve thirty-five. No wonder she was rested. Efficiently, without making a sound, she put on Levis and a gray sweatshirt. No makeup. She ran a comb once through her hair. She paused, then, to listen. Not just to the house, but to herself. To the world inside her own brain. Dead quiet. Not a creature stirring. Not that that meant a thing, of course. Gillian knelt and pulled the shoe box out from under her bed. The wax dolls were garish, red and green, like a hideous parody of Christmas. Her first impulse at the sight of that poisonous green was to get rid of it. Snap off one dollââ¬â¢s hand and the otherââ¬â¢s head. But what that would do to Tanya and Kim, she didnââ¬â¢t want to think. Instead, she forced herself to get a Q-tip from the bathroom, soak it in water, and dab the iridescent green powder away. She cried as she did it. She tried to concentrate as she had when sheââ¬â¢d done the spell, seeing the real Tanyaââ¬â¢s hand, seeing it heal and become whole. ââ¬Å"Now may I be given the power of the words of Hecate,â⬠she whispered. ââ¬Å"It is not I who utter them, it is not I who repeat them; it is Hecate who utters them, it is she who repeats them.â⬠When the powder was off, she put the dolls back in the box. Then she blew her nose and rummaged through the pile on her desk until she found a small pink-flowered address book. She sat on the floor crosslegged, dragged the phone close, and thumbed through the book. There. Daryl Novakââ¬â¢s cellular phone number. She dialed quickly and shut her eyes. Answer. Answer. ââ¬Å"Hello,â⬠a languid voice said. Her eyes flew open. ââ¬Å"Daryl, this is Gillian. I need you to do me an enormous favor, and I need you to do it now. And I canââ¬â¢t even explain why-ââ¬Å" ââ¬Å"Gillian, are you okay? Everybodyââ¬â¢s been worried about you.â⬠ââ¬Å"Iââ¬â¢m fine, but I canââ¬â¢t talk. I need you to go find Amy Nowick; sheââ¬â¢s gotâ⬠-Gillian thought frantically-ââ¬Å"uh, honors chemistry this period. I need you to tell her to drive to the corner of Hazel and Applebutter Street and wait for me there.â⬠ââ¬Å"You want her to leave school?â⬠ââ¬Å"Right now. Tell her I know itââ¬â¢s a lot to ask, but I need this. Itââ¬â¢s really important.â⬠She expected questions. But instead, all Daryl said was, ââ¬Å"Leave it to me. Iââ¬â¢ll find her.â⬠ââ¬Å"Thanks, Daryl. Youââ¬â¢re a lifesaver.â⬠Gillian hung up and found her ski jacket. Tucking the shoe box under her arm, she walked very quietly downstairs. She could hear voices from the kitchen. A low voice-her dadââ¬â¢s. Part of her wanted to run to him. But what would her parents do if they saw her? Keep her safe and bundled up, keep her here. They wouldnââ¬â¢t understand what she had to do. There was no question of telling them the truth, of course. That would just get her another shot. And, eventually, maybe a visit to the mental hospital where her mother had stayed. Everyone would think delusions ran in the family. She moved stealthily to the front door, quietly opened it, slipped out. Sometime during the night it had rained and then frozen. Ice hung like dewdrops from the twigs of the hickory tree in the yard. Gillian ducked her head and hurried down the street. She hoped no one was watching, but she had the feeling of eyes staring from between bare branches and out of shadows. At the comer of Hazel and Applebutter she stood with her arms wrapped around the box, hopping a little to keep warm. Itââ¬â¢s a lot to askâ⬠¦ It was a lot to ask, especially considering the way sheââ¬â¢d treated Amy recently. And it was funny, considering all the new friends sheââ¬â¢d made, that it was Amy she turned to instinctively when she was in trouble. Butâ⬠¦ there was something solid and genuine and good in Amy. And Gillian knew that she would show up. The Geo swung around the corner and skidded to a stop. Typical Amy-without-glasses driving. Then Amy was jumping out, her face turned anxiously toward Gillianââ¬â¢s. Her blue eyes were huge and seemed luminous with tears. And then they were hugging and crying. Both of them. ââ¬Å"Iââ¬â¢m so sorry. Iââ¬â¢ve been so rotten this last week-ââ¬Å" ââ¬Å"But I was rotten to you before that-ââ¬Å" ââ¬Å"I feel awful. You have every right to be mad at me-ââ¬Å" ââ¬Å"Ever since I heard about the accident, Iââ¬â¢ve been so worried.â⬠Gillian pulled back. ââ¬Å"I canââ¬â¢t stay. I donââ¬â¢t have time. And I know how this sounds coming from somebody who hit a pole last nightâ⬠¦ but I need your car. For one thing, Iââ¬â¢ve got to go see David.â⬠Amy nodded, blotting her eyes. ââ¬Å"Say no more.â⬠ââ¬Å"I can drop you off at home-ââ¬Å" ââ¬Å"Itââ¬â¢s the wrong way. It wonââ¬â¢t hurt me to walk. I want to walk.â⬠Gillian almost laughed. The sight of Amy dabbing her face with her muffler and stamping her foot on the icy sidewalk, determined to walk, warmed her heart. She hugged her again, fast. ââ¬Å"Thank you. Iââ¬â¢ll never forget it. And Iââ¬â¢ll never be the terrible person Iââ¬â¢ve been to you again, at least-ââ¬Å" She broke off and got in the car. Sheââ¬â¢d been about to finish the sentence ââ¬Å"-at least, if I live through this.â⬠Because she wasnââ¬â¢t at all sure that she would. But the first thing was to get to David. She had to see him with her own eyes. To make sure he was all rightâ⬠¦ and that he was himself. She gunned the motor and set out for Houghton. How to cite Night World : Dark Angel Chapter 13, Essay examples
Saturday, December 7, 2019
An essay on Othello Example For Students
An essay on Othello I will discuss this quote in relation to Lacanââ¬â¢s ideas about language as the symbolic order. My aim is to show how Othello finds his identity threatened by Desdemonaââ¬â¢s reaction to his tales. In order to explain Lacanââ¬â¢s ideas very briefly I will quote from Pam Morris: Literature and Feminism, (Blackwell, 1993) where she discusses the resolution of the Oedipal crisis. For Freud the outcome of the childââ¬â¢s fear of castration is its submission to the reality principle and hence its entry into the social order. For Lacan this must coincide with the childââ¬â¢s entry into the language systemâ⬠¦.. Language is thus the Law of the father; a linguistic system within which our social and gender identity is always already structured. (p. 104) Othelloââ¬â¢s identity in the Venetian society is his role as ââ¬Å"the Moorâ⬠. Few people use his real name when talking about him. When speaking the given quote, Othello is telling the Venetians how he won Desdemonaââ¬â¢s heart by telling her the story of his life, and he now retells it to the Venetians. This tale-telling is a way of employing the linguistic system to reshape for himself a new identity with more positive connotations than ââ¬Å"the Moorâ⬠can offer. The Moorâ⬠is an expression the Venetians connect to other expressions in the linguistic system which all have a negative value. Examples are such expressions as ââ¬Å"old black ram, a Barbary horse, lascivious, and a devil. â⬠The negative overtone of these words will reflect back on Othello. He canââ¬â¢t change his origins but he can try to change the connotations of ââ¬Å"the Moorâ⬠. He can fill the expression with a new content and thereby give himself an identity he can be more comfortable with. This is what Othello is doing when he is retelling his history. Othello is obviously a good narrator; Desdemona canââ¬â¢t get enough of his story. Expressions like ââ¬Å"seriously inclineâ⬠, ââ¬Å"with hasteâ⬠and ââ¬Å"greedy earâ⬠show Desdemonaââ¬â¢s eagerness for his storytelling. ââ¬Å"And everâ⬠¦. /Sheââ¬â¢ld come againâ⬠shows that this has been happening over a period of time without Desdemona growing tired of his tales. The given quote implies that Othello feels he has been too clever for his own benefit. Desdemonaââ¬â¢s craving for his autobiography is felt as a threat; it may jeopardize his new identity. Othello says that she would: ââ¬Å"Devour up my discourseâ⬠. It is in this discourse that his identity exists. If she devours up his discourse, she devours up his identity and leaves him where he started; as ââ¬Å"the Moorâ⬠. Desdemona may represent the all-engulfing mother of the pre-Oedipal stage. This is a stage without structure, language or identity, an opposite to the linguistic system, the Law of the father. It is with a ââ¬Å"greedy earâ⬠she ââ¬Å"devours up my discourseâ⬠. An ear is sometimes used to symbolize female genitalia and will here emphasize the fact that Othello feels the threat to be feminine. That he, through his discourse, is devoured shows that this feminine threat is all-engulfing. If Othello refuses to accept his old role as ââ¬Å"the Moorâ⬠he will either be without an identity or be dragged by his self-fashioned identity back into the pre-Oedipal stage. These options are two sides of the same coin, he will lose himself either way. To give up oneââ¬â¢s self is the same as suicide. Both death and the pre-Oedipal stage are spheres without language, structure, intention or identity. To give way to the one or the other will have the same result for Othello; he will no longer be a conscious being. To save himself, Othello must get control over this ââ¬Å"greedy earâ⬠. .u2b3f5d767bc8a7e22dce35a4906836b9 , .u2b3f5d767bc8a7e22dce35a4906836b9 .postImageUrl , .u2b3f5d767bc8a7e22dce35a4906836b9 .centered-text-area { min-height: 80px; position: relative; } .u2b3f5d767bc8a7e22dce35a4906836b9 , .u2b3f5d767bc8a7e22dce35a4906836b9:hover , .u2b3f5d767bc8a7e22dce35a4906836b9:visited , .u2b3f5d767bc8a7e22dce35a4906836b9:active { border:0!important; } .u2b3f5d767bc8a7e22dce35a4906836b9 .clearfix:after { content: ""; display: table; clear: both; } .u2b3f5d767bc8a7e22dce35a4906836b9 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u2b3f5d767bc8a7e22dce35a4906836b9:active , .u2b3f5d767bc8a7e22dce35a4906836b9:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u2b3f5d767bc8a7e22dce35a4906836b9 .centered-text-area { width: 100%; position: relative ; } .u2b3f5d767bc8a7e22dce35a4906836b9 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u2b3f5d767bc8a7e22dce35a4906836b9 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u2b3f5d767bc8a7e22dce35a4906836b9 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u2b3f5d767bc8a7e22dce35a4906836b9:hover .ctaButton { background-color: #34495E!important; } .u2b3f5d767bc8a7e22dce35a4906836b9 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u2b3f5d767bc8a7e22dce35a4906836b9 .u2b3f5d767bc8a7e22dce35a4906836b9-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u2b3f5d767bc8a7e22dce35a4906836b9:after { content: ""; display: block; clear: both; } READ: Character Analysis An Inspector Calls EssayFemale sexuality was considered something scary which could best be controlled through marriage. A loose tongue was a sign of loose sexuality. Othello extends this notion to include Desdemonaââ¬â¢s ââ¬Å"greedy earâ⬠. He marries Desdemona and all is well until Iago implies that Desdemona is unfaithful. Unfaithfulness in a woman will reflect back on her husband. A cuckold is a ridiculous figure in other peopleââ¬â¢s eyes. He must be seriously lacking in person for his wife to run after other men. Othello sees himself in the same situation as before the marriage. Instead of using her ears she is now using her sexuality to destroy the identity he has built up for himself. I have already pointed out how ears and sexuality are connected in Othelloââ¬â¢s mind. Either way the results are the same for Othelloââ¬â¢s identity. He sees his positive image of himself slipping away: ââ¬Å"Farewell the plumed troops and the big wars/ That makes ambition virtue! â⬠¦. Farewell: Othelloââ¬â¢s occupationââ¬â¢s gone. â⬠(III, iii, 352-353+360) The one way to control this threat is to passivize Desdemona completely by killing her. He realizes too late the effect this ction will have on his own situation. She was the only person who would accept the identity he had been fronting. He even had difficulties believing in it himself, which made him an easy victim for Iago. So when he killed Desdemona he killed the positive image of himself. The person he saw as a threat to his identity was the only person who actually sustained it. Because he had such difficulties in believing in himself he found it impossible that anybody else should do so. This insecurity proves his undoing. His positive self-image gone, he is left a choice between ââ¬Å"the Moorâ⬠or nothingness. The moment Emilia realizes Othello is the murderer she reverts to calling him expressions connected to the negative image of ââ¬Å"the Moorâ⬠: ââ¬Å"And you the blacker devil! â⬠¦thou art a devil. â⬠(V, ii, 129, 131) He canââ¬â¢t stand being this person, the only one society and the symbolic order can offer him. To construct his own identity has proven impossible. To be without an identity, a non-personn implies death. He chooses to free himself of this unwanted identity by stepping out of the social order and the language system by means of suicide.
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